My approach to art and interior design is reflective of my approach to life. I appreciate beauty, as well as balance and a sense of order. There is a constant editing process that extends to all aspects of my art, home and life: a search for the purest expression. Editing of unessential elements gives breath to the preserved qualities, the core spirit, and informs the curation of materials, objects, and art. Finding this core spirit, with an emphasis on natural materials, extends to “empty” or “negative” space as well, which is often as impactful as a structured area, in both interior design and sculpting.
This philosophy extends to the way we move in the world, the rituals we incorporate into our daily lives. Stillness is as important as activity. For me, a connection to nature is essential, providing inspiration for art as well as balance in life. I strive to respect the honesty of materials I am working with and adhere to a purity of intent in their creation.
Formal Studies include:
Classical Training at the Charles Cecil Studio in Florence, Italy (utilizing the sight-sizing method)
Impressionistic Technique studies with William Schultz (Master Pastelist and oil painter Mentorship in sculpture learning the Lost Wax Process of Bronze casting with William Doak
Fine Art Studies at Corcoran Museum and School of Art in Washington, DCpp BA Vanderbilt University
Professional Credits:
Pastel Society of America Central South Juried Exhibition
Private Collections
Project of 22 works of Chateau De Chantilly created for American Friends of Chantilly (outside Paris, France.)